{"id":13225,"date":"2016-04-29T19:52:35","date_gmt":"2016-04-29T19:52:35","guid":{"rendered":"https:\/\/blogbox.indianeagle.com\/?p=13225"},"modified":"2016-07-16T10:37:03","modified_gmt":"2016-07-16T10:37:03","slug":"history-of-indian-films-at-cannes-film-festival","status":"publish","type":"post","link":"https:\/\/www.indianeagle.com\/travelbeats\/history-of-indian-films-at-cannes-film-festival\/","title":{"rendered":"Golden Moments of Indian Cinema at Cannes Film Festival from 1946 to 1999"},"content":{"rendered":"

With Cannes on the French Riviera rolling out the red carpet for its annual film festival commencing on May 11, we at IndianEagle<\/span> leafed through the history of Indian Cinema at Cannes Film Festival from 1946 to 1999.<\/strong> Iconic films by legendary filmmakers like Bimal Roy, Satyajit Ray, Mrinal Sen, Goutam Ghose and Chetan Anand won prestigious awards at Cannes and depicted India to a global audience from different perspectives. Let\u2019s rejoice in the golden moments of Indian Cinema at Cannes from the last five decades of the 20th century, once again.<\/strong><\/p>\n

Chetan Anand\u2019s Neecha Nagar<\/em> at Cannes 1946<\/strong><\/h4>\n

\"Indian<\/a><\/p>\n

The Festival de Cannes had lifted the curtain in 1946 after a six-year-long break for the Second World War. Chetan Anand\u2019s acclaimed Neecha Nagar<\/em> among the Indian films at Cannes Film Festival 1946 earned the top award, Grand Pix du Festival International du Film,<\/strong> and shared it with David Lean\u2019s Brief Encounters. Starring actress Kamini Kaushal and danseuse Zohra Sehgal, Neecha Nagar<\/em> was the first Indian film to shot to prominence on a global stage. The Grand Pix award has been renamed Palme d\u2019Or. Based on a short story by Hayatulla Ansari, Neecha Nagar<\/em> depicts social realism through a grim picture of chasm between the rich and the poor in the then Indian society.<\/p>\n

Rajaram Vankudre Shantaram\u2019s Amar Bhupali<\/em> at Cannes 1952<\/strong><\/h4>\n

\"Indian<\/a><\/p>\n

In 1952, filmmaker Rajaram Vankudre Shantaram\u2019s Amar Bhupali<\/em> (The Immortal Song) represented Indian Cinema at Cannes Film Festival. A Marathi biopic on a poet and a musician Honaji Bala, Amar Bhupali<\/em> is a poignant tale of the last few days of the Maratha Confederacy in the early 19th century.<\/strong> The film portrays the poet as a lover of the musician and as an admirer of the Lavani dance form. Though nominated for the prestigious Grand Prix du Festival International du Film, it managed to an award for Excellence in Sound Recording.<\/p>\n

Bimal Roy\u2019s Do Bigha Zameen<\/em> at Cannes 1954<\/strong><\/h4>\n

\"Bimal<\/a><\/p>\n

In the history of Bollywood at Cannes Film Fest, 1954 was the year of Bimal Roy\u2019s classic Do Bigha Zamin<\/em> (Two Acres of Land). It won the illustrious Prix Internationale at the Cannes 1954.<\/strong> A critical take on social realism in post-independence Indian society, Do Bigha Zamin<\/em> depicts the eventful journey of a poor farmer from rural Bengal to Calcutta (now Kolkata) in a futile attempt to save his land from a greedy zamindar. It established Bimal Roy as a pioneer of the neo-realist movement in Indian Cinema.<\/p>\n

Also Check<\/strong>\u00a0Black & White Calcutta in 1960s<\/strong><\/a><\/p>\n

Bimal Roy’s Biraj Bahu<\/em> at Cannes 1955<\/strong><\/h4>\n

\"Bollywood<\/a><\/p>\n

Again it was Bimal Roy whose Biraj Bahu<\/em> glorified Indian Cinema at Cannes Film Festival 1955. Though it was in competition with Raj Kapoor\u2019s Boot Polish<\/em> and films from other countries, it bagged the most coveted Palme d\u2019Or.<\/strong> However, Baby Naaz was honored with a Special Distinction Award for her powerful performance in Boot Polish<\/em>. Based on a Bengali novel by Saratchandra Chattopadhyay, Biraj Bahu<\/em> is the story of a Bengali couple who goes through hard times due to an unexpected deceit by a family member. It stars Kamini Kaushal in a lead role.<\/p>\n

Satyajit Ray’s Pather Panchali<\/em> at Cannes 1956<\/strong><\/h4>\n
\"Satyajit<\/a>

Image Credit: The Hindu.com<\/p><\/div>\n

In 1956, legendary filmmaker Satyajit Ray was the glorious face of Indian Cinema<\/a><\/span> at Cannes Film Festival. Pather Panchali<\/em>, the first film in Satyajit Ray\u2019s Apu Trilogy<\/em>, brought the Palme d\u2019Or for Best Human Document to India.<\/strong> One of the greatest Indian films of all time, Pather Panchali<\/em> depicts the struggle of a family in rural Bengal. Ray was the first to use lyrical realism in Bengali Cinema.<\/p>\n

Mrinal Sen\u2019s Kharij <\/em>at Cannes 1983<\/strong><\/h4>\n
\"Mrinal<\/a>

Image Credit: NJISACF.org<\/p><\/div>\n

Of all Indian films that the 1983 Cannes Film Fest screened, Mrinal Sen\u2019s Kharij<\/em> (Case is Closed) bagged the Special Jury Prize. It was a far more offbeat film than other films in competition.<\/strong> Mrinal Sen exposed the exploitation of underprivileged working classes in the 1980s\u2019 India by depicting how accidental death of an underage servant affected the family where he worked. It was a successor to social realism that Bimal Roy pioneered.<\/p>\n

Indian\u00a0Films\u00a0at Cannes from\u00a01957 to 1982<\/strong><\/h4>\n

The period from 1957 to 1982 saw screening of several Indian films at Cannes Film Festival, but neither of them brought any award to India from Cannes. Parash Pathar<\/em> and Devi<\/em> by Satyajit Ray, Sujata<\/em> by Bimal Roy, Nishant<\/em> by Shyam Benegal, Ek Din Pratidin<\/em> by Mrinal Sen, Pardesi<\/em> by Khwaja Ahmed Abbas, and Garam Hawa<\/em> by M S Sathyu traveled to Cannes during this period.<\/p>\n

Mira Nair\u2019s Salaam Bombay<\/em> at Cannes 1988<\/strong><\/h4>\n
\"Mira<\/a>

Image Credit: Clickker.in<\/p><\/div>\n

In 1988, New York based Indian Filmmaker Mira Nair\u2019s Salaam Bombay<\/em> stole the show with the jury of Cannes Film Festival. It won both the Camera d\u2019Or and the Audience Award at Cannes 1988.<\/strong> Mira Nair\u2019s first feature film in documentary style, Salaam Bombay<\/em> penetrates the glittering picture of Mumbai<\/a><\/span>, which is often called a city of the high and mighty, to expose the ordeals of children from the streets of Bombay.<\/strong> For the first time, some of Bombay\u2019s street children were cast and trained to portray their bleak lives in a seedy world which was unknown to a majority of global audience. It was also nominated for the Academy Award in the Best Foreign Language Film category.<\/p>\n

\n

The 1988 Cannes also screened the National Film Award winning ‘Antarjali Jatra’ by Kolkata based filmmaker Goutam Ghose in the Un Certain Regard section. This Bengali film was adapted from a novel titled \u2018Mahayatra\u2019 by Kamal Kumar Majumdar. \u2013 IndianEagle<\/strong><\/p>\n<\/blockquote>\n

Satyajit Ray\u2019s Ganashatru<\/em> at Cannes 1989<\/strong><\/h4>\n
\"Satyajit<\/a>

Image Credit: Zulm.net<\/p><\/div>\n

From 1989 to 1996, the regional cinemas of India replaced Hindi or Bollywood films at Cannes. Satyajit Ray\u2019s Ganashatru<\/em>, a Bengali film from Kolkata<\/a><\/span>, had a special screening (out of competition) in 1989<\/strong>. Manipuri filmmaker Aribam Syam Sharma\u2019s Ishanou<\/em> was the first to represent Northeast Indian Cinema at Cannes in 1991. Indradhanura Chhai<\/em>, an Oriya film, competed with other regional films of India for the Grand Prize at Cannes in 1995.<\/p>\n

Also Read<\/strong>\u00a0Story of Hand-Pulled Rickshaws from Calcutta to Kolkata<\/strong><\/a><\/p>\n

Asif Kapadia’s The Sheep Thief<\/em> & Goutam Ghose’s Gudia<\/em> in 1997\u00a0<\/strong><\/h4>\n

Out of the Indian films at Cannes in 1997, The Sheep Thief<\/em> by Asif Kapadia, an NRI filmmaker from London, walked away with the Cin\u00e9fondation Award.<\/strong> Based on a Biblical story and shot in Rajasthan, The Sheep Thief<\/em> is a 24-minute short film, which Asif Kapadia made in his final year of graduation at London\u2019s Royal College of Art. It depicts the travails of a sheep stealer in rural India. Bengali filmmaker Goutam Ghose\u2019s Hindi film Gudia<\/em> based on a play by Mahasweta Devi, a renowned writer and social activist, was screened in the same year.<\/strong><\/p>\n

Murli Nair\u2019s Marana Simhasanam<\/em> at Cannes 1999<\/strong><\/h4>\n

\"indian<\/a><\/p>\n

The 1999 Cannes screened Murli Nair\u2019s Marana Simhasanam<\/em> (The Throne of Death), a Malayalam film from Kerala<\/a><\/span>. It was a milestone in the 20th century\u2019s history of Indian Cinema at Cannes Film Festival.<\/strong> Inspired by the first execution by electric chair in India, Murli Nair\u2019s Marana Simhasanam<\/em> shows how class oppression and political manipulation victimizes a poor villager in Kerala, who steals some coconuts to feed his family. Told through relatively fewer dialogues in the script, the film touched the raw nerves of audience and walked away with the Camera d\u2019Or at Cannes 1999.<\/p>\n

Also Check<\/strong>\u00a0India’s Official Entry to Cannes 2016<\/strong><\/a><\/p>\n

Travel Beats<\/span>\u00a0is a fast-growing digital portal for Indians and NRIs by\u00a0IndianEagle, a leading international travel organization. It publishes the latest news, interesting features and inspirational stories from different walks of life in India and the US.<\/span> <\/strong>\u00a0\u00a0\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

With Cannes on the French Riviera rolling out the red carpet for its annual film festival commencing on May 11, we at IndianEagle leafed through the history of Indian Cinema at Cannes Film Festival from 1946 to 1999. Iconic films by legendary filmmakers like Bimal Roy, Satyajit Ray, Mrinal Sen, Goutam Ghose and Chetan Anand […]<\/p>\n","protected":false},"author":1,"featured_media":13248,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[54,304,107,141,168],"yoast_head":"\nCannes Film Festival Showed Best Indian Films from 1946 to 1999<\/title>\n<meta name=\"description\" content=\"We at IndianEagle leafed through history of Indian Cinema at Cannes Film Festival from 1946 to 1999 & shared golden moments of Indian films at Cannes Film Festival\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.indianeagle.com\/travelbeats\/history-of-indian-films-at-cannes-film-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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